This month yields a bumper crop of new books about history’s women artists from the Renaissance to the twentieth century. We list those that have come to our attention, quoting the publisher’s description. If you know of other titles that should be on this list, please let us know by comment or by email (Erika@artherstory.net).
WomenArtists, introductory essay by Rebecca Morrill; multiple contributors. Publisher: Phaidon (ships from Sept. 25, 2019)
“Five centuries of fascinating female creativity presented in more than 400 compelling artworks and one comprehensive volume. The most extensive fully illustrated book of women artists ever published, Great Women Artists reflects an era where art made by women is more prominent than ever. In museums, galleries, and the art market, previously overlooked female artists, past and present, are now gaining recognition and value. Featuring more than 400 artists from more than 50 countries and spanning 500 years of creativity, each artist is represented here by a key artwork and short text. This essential volume reveals a parallel yet equally engaging history of art for an age that champions a greater diversity of voices.”
2. The Trouble with Women Artists: Reframing the History of Art, by Camille Viéville and Laure Adler. Publisher: Flammarion (distributed in North America by Rizzoli)
“Sixty-seven female artists and their work from the sixteenth century to the present demonstrate the evolution of art through a female-empowered lens. This book draws the portraits of sixty-seven fascinating women and their significant artistic achievements, from groundbreaking Renaissance painter Artemisia Gentileschi to the photography of Nan Goldin today. Tracing the painters, sculptors, photographers, and performance artists who shaped modern art, readers discover key figures and their signature works, including Mary Cassatt, Sonia Delaunay, Georgia O’Keeffe, Tamara de Lempicka, Frida Kahlo, Dorothea Tanning, Leonora Carrington, Yoko Ono, Eva Hesse, Marina Abramović, Carrie Mae Weems, and Cindy Sherman.”
Visit this link to read Charlotte Gordon’s Washington Post review of The Trouble with Women Artists.
Another recent notable survey of women artists, for young readers, is The Bigger Picture: Women Who Changed the Art World, by Sophia Bennett, illustrated by Manjit Thapp. The publisher is Tate Publications (March 2019).
“Mary Beale (1633–1699) was one of the earliest professional women artists in Britain. Her successful career was documented by her husband, Charles, whose almanacks provide a unique record of Mary’s patrons, painting technique and family affairs. Her portraits of politicians, clergy, aristocracy and intellectuals reflect the vibrant literary, scientific and political scene of the seventeenth century. She has been seen as a feminist icon not only as a professional artist but also as a poet and the author of a ‘Discourse on Friendship’ (1667) which argued for the equality of husband and wife in marriage—a radical concept at that time.”
4. I Know What I Am: The Life and Times of Artemisia Gentileschi, by Gina Siciliano. Publisher: Fantagraphics
“The true life story of a pioneering female painter. Michelangelo, Velázquez, Rubens, Rembrandt—all larger-than-life Renaissance figures celebrated for their mastery of their art. But often overlooked in this pantheon of Old Masters is Artemisia Gentileschi—Italy’s greatest female painter. In her debut graphic novel, Gina Siciliano brings to life the tumultuous seventeenth-century cities of Rome, Florence, Naples, and Venice where the fearless Gentileschi braved the male-dominated sphere of painting to become a groundbreaking artist. I Know What I Am paints a complex, feminist portrait of Artemisia as a single mother, a sexual assault survivor, and a pioneering practitioner of her craft.”
5. Forever Seeing New Beauties: The Forgotten Impressionist Mary Rogers Williams, 1852–1807, by Eve M. Kahn. Publisher: Wesleyan University Press.
Revolutionary artist Mary Rogers Williams (1857—1907), a baker’s daughter from Hartford, Connecticut, biked and hiked from the Arctic Circle to Naples, exhibited from Paris to Indianapolis, trained at the Art Students League, chafed against art world rules that favored men, wrote thousands of pages about her travels and work, taught at Smith College for nearly two decades, but sadly ended up almost totally obscure. The book reproduces her unpublished artworks that capture pensive gowned women, Norwegian slopes reflected in icy waters, saw-tooth rooflines on French chateaus, and incense hazes in Italian chapels, and it offers a vivid portrayal of an adventurer, defying her era’s expectations.
6. Judy Chicago: New Views, by multiple authors. Publisher: Scala Arts in association with the National Museum of Women in the Arts.
Contributing authors: Judy Chicago, Susan Fisher Sterling, Sarah Thornton, Hans Ulrich Obrist, Chad Alligood, Manuela Ammer, Massimiliano Gioni, Philipp Kaiser, Jonathan D. Katz, Martha C. Nussbaum, William J. Simmons. As the first major monograph on the feminist artist Judy Chicago in nineteen years, this fully illustrated volume provides fresh perspectives by leading scholars. Many people know her famed The Dinner Party, installed as the centrepiece of the Sackler Centre for Feminist Art at the Brooklyn Museum, but few know her other prescient bodies of work – on sex, birth, death, violence, the natural world and more. Featuring her newest work, The End, as well as major examples from throughout her career, this fascinating, elegantly designed book offers a new examination of Chicago’s wide-ranging artistic expression and powerful voice. The book is published on the occasion of the artist’s eightieth birthday and an exhibition of new work at the National Museum of Women in the Arts, as well as the announcement of the Judy Chicago online portal.
The next five books in this list are the inaugural volumes in the Modern Women Artists series, published by Eiderdown Books. Eiderdown is a new press; it publishes books about female artists, written by leading female writers, art historians and cultural commentators.
7. Sylvia Pankhurst, by Katy Norris.
“The daughter of Emmeline Pankhurst (who would become one of the most recognised names in the British women’s suffrage movement), Sylvia Pankhurst was raised in a socialist household and sought to lead a creative life. Through her striking portraits of women at work in the factories, as well as her designs for badges, banners, murals and even tea -sets, her artistic endeavours furthered the argument for universal equal rights. Altogether, Pankhurst’s work created a visual culture for the modern women’s movement and her artistic output is only now being re-evaluated as a critical part of understanding British social history.”
8. Frances Hodgkins, by Samantha Niederman.
“Frances Hodgkins (1869–1947) was a painter of landscapes and still lifes, and was a leading figure in the British avant-garde movement of Modernism.
Originally from New Zealand, it was in Europe, and later Britain, that Hodgkins would develop her recognisable style and palette, moving away from Impressionism to embrace the colours and techniques of Modernism. A brief period of textile design would consolidate the inclusion of pattern in her later work. She was revered for her unique contribution to Modernism, merging the genres of still life and landscape.
Hodgkins’ work influenced a generation of British artists, the impact of which can still be seen today. Examples of her work can be found in the national collections of museums and galleries around the world, including Museum of New Zealand Te Papa Tongarewa, the National Gallery of Canada and Tate, London.”
9. Marlow Moss, by Lucy Howarth.
“Marlow Moss (1889–1958) was a British Constructivist artist and a central figure in the development of European non-figurative art. Moss’s importance to the history of modern art is arguably equal to that of her contemporary and friend Piet Mondrian, and yet her name has been relegated to obscurity. A pupil of Ferdinand Léger in Paris and one of the few women within the circle of influential artists in Paris in the late 1920s, Moss’s grid-like paintings, geometric sculptures and abstract reliefs sought to create a universal language of colour and form. Today Moss’s work is beginning to be re-examined as a new generation of artists and art historians consider her contribution to modern art. Examples of this important artist’s work can be found in museums across Europe including at the Hague, and Tate, London.”
10. Laura Knight, by Alice Strickland
“Laura Knight (1877–1970) was an English Realist painter who documented life and culture in Britain during the first half of the twentieth century. Educated at a time when studying life-drawing was the preserve of male artists, Knight railed against social restrictions of the day and established her own life studio. She was a consummate documentarist and her studies of the ballet as well as her government-commissioned depictions of women’s wartime labour during the First World War are some of the this artist’s most enduring works. The first female artist to be elected a full Royal Academician, and with a career that spanned seven decades, Knight was one of the most important artists of her day. Today her work features in public collections across the UK and around the world, including Tate, the National Portrait Gallery and the Imperial War Museums, London.”
11. Lee Miller, by Ami Bouhassane.
“Lee Miller (1907–1977) was a fashion model, a photo-journalist and an artist who captured extraordinary moments of modern life.
As model and muse, Miller is too often only considered through the lens of the men she knew and loved. Yet she was an artist who forged her own path and who built a career which overturned expected social stereotypes. Her photography explored in her own unique way the objectification of the female form, and later documented the experience of women during the Second World War.
A contemporary of the British Surrealists, Miller’s contribution to the group is explored in this introduction to her work, as is her involvement in the development of the photographic technique of solorisation, previously solely attributed to Man Ray. Capturing some of the most enduring images of the early twentieth century, Miller’s work offers a record for our times.”
Lee Miller also features in a recent work of historical fiction: The Age of Light, by Whitney Scharer (Little Brown, February 2019). Visit this link to read Lauren Elkin’s New York Times review of the novel.
Other posts on new books about women artists
Ten Intriguing Books About Remarkable Women Artists, guest post by Carol M. Cram