Marie Laurencin and the Autonomy of Self-Representation

Guest post by Mary Creed Fig. 1. Marie Laurencin, Self-Portrait, 1906. Colored pencil and pencil on notebook paper. Museum of Modern Art, New York. © 2021 Artists Rights Society (ARS), New York / ADAGP, Paris In an attempt to tell a more inclusive story of modern art,...

Elisabetta Sirani: Self-Portraits

Guest post by Jacqueline Thalmann, Christ Church, Oxford I recently wrote an Art Herstory guest post about two drawings by Elisabetta Sirani—a Self-Portrait and a Head of a Madonna. This took me back to the fascinating subject of self-portraiture,...

Paper Portraits: The Self-Fashioning of Esther Inglis

Guest post by Georgianna Ziegler, Folger Shakespeare Library (Emerita) The Franco-Scottish calligrapher Esther Inglis (c.1569–1624) is known for her jewel-like manuscripts rendered in meticulous black and white line or in color. But she also created the earliest known...

Renaissance Women Painting Themselves

Guest post by Katherine A. McIver, Professor Emerita of Art History, University of Alabama at Birmingham Thinking about the upcoming exhibition at the Prado, Madrid (October 2019) celebrating the Renaissance women artists Sofonisba Anguissola (1532–1625) and Lavinia...