Elisabetta Sirani of Bologna (1638–1665)

Guest post by Adelina Modesti, Honorary Senior Fellow, University of Melbourne Fig. 1. Self-Portrait as an Allegory of Painting, signed and dated “ELISAB.TA SIRANI F. 1658.” Moscow, Pushkin Museum. Painted for “Signor Cavazza, notary of the bishopric.”...

“Artemisia” at the National Gallery: A Review

Guest post by Sheila McTighe, The Courtauld Institute of Art Threatened by pandemic closure but rescued to great acclaim, this exhibition of Artemisia Gentileschi’s work promises to be a turning point in the appreciation of early modern women artists. How will it...