Women Artists of the Dutch Golden Age” has recently closed at the National Museum of Women in the Arts. On February 2, “A Tale of Two Women Painters” closes at the Prado. So, what do fans of female Old Masters have to look forward to?

In a word: lots! This year is shaping up to be an exciting one for women artists generally, including those still living. In this post, though, we’ll focus exclusively on Old Masters. Beginning in March 2020, exhibitions in Florence, London, Trento, Paris, and Milan shine a spotlight on these women artists from about the sixteenth to the eighteenth centuries:

  • Giovanna Garzoni
  • Artemisia Gentileschi
  • Angelica Kauffman
  • Fede Galizia
  • French Women Artists, 17801530, including Elisabeth Vigée-Lebrun, Marguerite Gérard, Marie-Guillemine Benoist, Constance Mayer, among others
  • Italian Women Artists of the Baroque, including Artemisia Gentileschi, Elisabetta Sirani, Lavinia Fontana, Sofonisba Anguissola, & Fede Galizia
Artichokes in a Chinese Dish with Rose and Strawberries, c. 1650, by Giovanna Garzoni. Galleria Palatina, Palazzo Pitti.

“The Greatness of the Universe” in the Art of Giovanna Garzoni

Pitti Palace, Uffizi Galleries, Florence, 10 March–24 May 2020

Entirely dedicated to works by Giovanna Garzoni (1600–1670), this exhibition highlights works by the artist from the Medici collection, which are still preserved at the Uffizi Galleries. Garzoni is recognized as a major figure in the evolution of scientific illustration, but she is less well-known as an illustrator of the geographic imagery of the Baroque era. “‘The Greatness of the Universe’ in the Art of Giovanna Garzoni” highlights how Garzoni combined exotic objects of different origins such as Chinese porcelain, Pacific nautical, Mexican pumpkins and flowers, South American plants, or English lounge dogs, with the ultimate goal of amazing and amusing the viewer.

For more information about the Giovanna Garzoni exhibit, visit this page.

Self-Portrait as Saint Catherine of Alexandria, c. 1615–17, by Artemisia Gentileschi. The National Gallery, London.

Artemisia

The National Gallery, London, 4 April–26 July 2020

This exhibition offers visitors a unique chance to encounter Artemisia Gentileschi (1593–1652/3), one of the premier artists of the Italian Baroque. “Artemisia” features some of her best-known paintings and self-portraits, as well as more recently discovered works. Gentileschi was the first woman to gain membership to the artists’ academy in Florence. She enjoyed a successful career as a painter, spanning more than 40 years. This show presents 35 works from public and private collections around the world, to present a selective overview of Artemisia’s career.

For more information about the Artemisia Gentileschi exhibit, visit this page.

Self-portrait with the Bust of Minerva, c. 1780, by Angelica Kauffman. Bündner Kunstmuseum, Chur.

Angelica Kauffman

The Royal Academy, London, 28 June–20 September, 2020

Organized in collaboration with Kunstpalast, Düsseldorf, this major exhibition traces the trajectory of Angelica Kauffman (1741–1807) from child prodigy to one of Britain’s most sought-after painters. Kauffman was a highly acclaimed portraitist, though she identified herself primarily as a history painter. Born in Switzerland and trained in Italy, she worked for patrons across Britain and the continent, including Catherine the Great. “Angelica Kauffman” focuses on the work of this celebrated artist at the height of her public acclaim.

For more information about the Angelica Kauffman exhibit, visit this page.

Noli me tangere, 1616, by Fede Galizia. Pinacoteca Brera.

Fede Galizia, Amazon of Painting

Castello del Buonconsiglio, Trento, 4 July–25 October 2020

After long years oblivion, Fede Galizia (c. 1578–c. 1630) is beginning to regain the international esteem that she enjoyed during her lifetime. To the extent that her name is known today, it is associated primarily with her magnificent still lifes (one of which recently sold at auction in New York for more than two million dollars). But Galizia dealt with other subject matter, too. She painted portraits and altarpieces, and experimented several times with Judith and Holofernes, a popular biblical theme. “Fede Galizia: Amazzone Nella Pittura” is the first solo exhibition for this artist.

For more information about the Fede Galizia exhibit, visit this page.

Peace Bringing Back Abundance, 1780, by Elisabeth Louise Vigée-LeBrun. The Metropolitan Museum of Art.

Femmes peintres, des artistes comme les autres / Women Painters, Artists Like Others

Musée du Luxembourg, 30 September 2020–24 January 2021

“Femmes painters, des artistes come les autres” is dedicated to women artists whose work featured in French art salons from 1780 to 1830. Through a display of 80 paintings by Elisabeth Vigée-Lebrun, Marguerite Gérard, Constance Mayer, and many others, viewers learn about a unique period in French art. The exhibition features paintings by less well-known artists, as well as by painters whose names are more familiar to today’s art lovers. In addition to displaying artworks by these women, the show explores issues such as training conditions; the status of female artists from 1780 to 1830; and the battles they had to fight in order to produce and exhibit their own works. The show offers a behind-the-scenes glimpse the daily life of these painters.

For more information about the “Femmes peintres” exhibit, visit this page.

Portrait of Bianca Ponzoni Anguissola, ca. 1557, by Sofonisba Anguissola. Gemäldegalerie, Berlin.

“Le signore del Barocco” / The Ladies of the Baroque

Palazzo Reale, Milan, December 2020–March 2021 (specific dates unknown)

“The Ladies of the Baroque” in Milan presents about 80 paintings by Italian women artists of the 1600s. These female Old Masters include some more familiar names, such as Artemisia Gentileschi, Sofonisba Anguissola, Lavinia Fontana, Giovanna Garzoni, Elisabetta Sirani, and Fede Galizia. But it also includes some artists at a more preliminary stage of rediscovery: Barbara Longhi, Diana Ghisi Scultori, Orsola Maddalena Caccia, Virginia da Vezzo, Plautilla Bricci, and Ginevra Cantofoli. The show is the culmination of Creativa 2020, Milan’s year-long multidisciplinary program dedicated to women’s creativity.

For more information about the exhibit, visit this page.

**

And there’s more to come in 2021. We have already heard that the Detroit Institute of Arts and the Wadworth Atheneum have combined forces to present Artemisia Gentileschi and Woman Artists in Italy, tentatively scheduled to open in Detroit in February 2021. Watch this space for updates about exhibitions featuring female Old Masters. And do contact us (email erika@artherstory.net) if you know of any relevant shows opening in 2020 that do not appear in this post.

More Art Herstory blog posts about female Old Masters:

Renaissance Women Painting Themselves, Guest post by Dr. Katherine McIver

The Priceless Legacy of Artemisia Gentileschi: A Curator’s Perspective, Guest post by Dr. Judith W. Mann

A Tale of Two Women Painters, Guest post / exhibition review by Natasha Moura

Angelica Kauffman and Mary Moser: Founding Women Artists of the Royal Academy

Orsola Maddalena Caccia (1596-1676), Convent Artist, Guest post by Dr. Angela Ghirardi

Gesina ter Borch: Artist, not Amateur, Guest post by Dr. Nicole E. Cook

Judith Leyster, Leading Star

The Protofeminist Insects of Giovanna Garzoni and Maria Sibylla Merian, by Prof. Emma Steinkraus

A Dozen Great Women Artists, Renaissance and Baroque

Why Do Old Mistresses Matter Today?, Guest post by Dr. Merry Wiesner-Hanks

Michelangelo’s Sisters: (Re)Introducing Female Old Masters